|My current watercolour brushes|
From left to right -
- Super tiny brush
Escoda Perla No0
Who am I kidding? I don't usually have the patience for detail that requires a brush of this size. Haha! But, sometimes, you know, a teeny-tiny brush is just the ticket. And then you want one that is tough and snappy.
- Fine rigger brush
Escoda Versatil No0
For branches, rigging, grasses I use a rigger brush. For studio use only, because it's just too delicate to carry anywhere.
- Small round brushes
Escoda Perla No2, travel version and Escoda Prado No4
For tiny details. The travel brush for painting outside and the Prado for studio work. Escoda recommended the Prado for me, as I asked for a small detail brush that could do more calligraphic type marks than a Perla and I love this brush. It holds a lot of water for it size, has a great point and is very flexible without being too soft.
- Small round brushes
Escoda Perla No8, travel version, Escoda Perla No10, Escoda Perla No12, travel version, Escoda Versatil No12, travel version
Perla and Versatil brushes are my workhorses. The Perla's hold less water than the Versatils, but have a very good point, wonderful spring and snap. I find a combination of these brushes works very well for my style of painting. I have travel versions for painting outside and normal handle versions for studio work.
- A brush for splatters
Kaerell Raphael No2
This was a wonderful brush when it was new, but now it's lost it's point a little. It holds an incredible amount of water and is great for fast, loose paintings. Of all my brushes, this makes the best splatter marks.
- Largish round brushes
Escoda Versatil No12, 16 and 18 (not shown)
These brushes hold a lot of water, have excellent spring and make a very sharp point. So they're both good for big, wet washes, and for detailed work.
- One inch flat brush
Unfortunately the name has worn off.
Fantastic for painting around things where you want a hard edge. For example, where a building juts into a sky. Flat brushes offer good control when you want a sharp line, more than a round brush can.
- Large flat brush
Escoda Ultimo 21
Mostly for pre-wetting the paper for working wet-in-wet and for painting large washes or skies.
- Small cat-tounge brush
Van Gogh No8
A cheaper, stiffer flat brush is great for scrubbing and lifting out colour. I wouldn't do this with one of my better brushes, as it can ruin them. So this brush works a treat.
- I did spend a lot of time researching the brushes that I felt would work for me and I really think I've found them. Although if Escoda made a larger Versatil travel brush, I'd be in!
- The 4 travel brushes, with the silver handles, fold up and I pop them in my pencil case to take everywhere with me. They go travelling, hiking and then back to the studio. They're my workhorses and I love them.
- For years I only had the 4 travel brushes, plus the 2 flat brushes. I used the travel brushes both outside and inside. But I paint a lot, in case you haven't noticed ;-) So I have since added normal handled versions to the travel brushes to be used in the studio. If you're just starting out you don't need to have copies like I do.
- Also, if you're starting out, I wouldn't buy a large number of brushes, because learning a new brush takes quite some time. It becomes an extension of your hand and learning a new snap or "flop" can take a while to accomplish. Each brush also holds a different amount of water, so knowing what's on your brush takes a while to become second nature. So my advice is to do some research, buy the best you can afford, then practise, practise, practise before adding a new tool to the bag. There! I hope I just saved you a fortune :-)
- What would be my minimalist starting out set? How about these 6 ... Prado 2 or 4, Perla 8 and 12, Versatil 16, a 1inch flat and a cheap small flat for lifting out colour.